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اندیشهی ردهپایین
Implicit in this kind of art experience is a tiered or hierarchical structure of consciousness, from a series of lower-order thoughts where the self is present as a background hum to a series of HOTs which reference the self in ways that are more obvious.
The interesting thing about this view is the phrase "At the same time, and underneath" which suggests, as in the HOT/lower-order thought scenario, that one kind of self-consciousness accompanies another and underneath it is a heavier, more fundamental substrate (which has its own boundary).
This is structurally analogous with the concept of seeing through a HOT to the lower-order thought "underneath it".
But there is more to this 'seeing through': the parallax view allows for a view through the HOT to the lower-order thought from several different angles, each angle being a different moment or perspective of consciousness, seeing through the HOT to the lower-order thought or sensation; a different configuration allows for both continuity and change.
This may give us an alternative way to characterise a HOT and its relationship to a lower-order thought.
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